Amy: Opening Notes

Cinematography:

  • Not filmed for professional use – handheld, lightings not right, actuality, phone
  • still images/photographs
  • found footage
  • crash zoom – Amy performing on stage
  • singing on stage – low light grain, auto focus

 

Mise en scene:

  • found footage
  • singing on stage
  • lyrics on-screen – cursive font
  • first person we see is Juliette, Amy’s mate
  • ‘1998, Southgate, London’
  • Car footage – tells us the date (2001) and sets up Tyler and Nick – development
  • The mise-e-scene has been picked specifically. Builds story. How Amy is now and what she’s doing changes as the film goes on.

 

Performance:

  • carefree and happy
  • Amy singing on someone’s 14th birthday, she is impersonating Marlyn Monroe singing to the president
  • Amy laying on her friends
  • Amy holding and talking to the camera/herself
  • first singing – Amy, child, a parody of Monroe who died young, regular person, one of the people in the room

 

Editing:

  • – edited lens flare – photo of Amy, zoomed in on (moves, colorful)
  • montage of her Jazz influences with Voice Over – learned from everything, Jazz Monk – undermining expectations?
  • slowed down footage
  • text is put on screen along with the lyrics
  • Ken Burns effect (e.g. the picture of the written down lyrics)
  • crossfade – poems with v/o to picture
  • lack of continuity – Amy goes from the stairs to the mirror – singing
  • disconnected visual and audio footage
  • animated text
  • highlighting lyrics because she wrote them? cursive font

 

Sound:

  • opening – non-diegetic music over found footage – piano, single note motif
  • Amy voice over discussing her love for Jazz – Amy singing constructs the narrative
  • Voice over is played over found footage e.g. talking about singing cut over footage – slow motion at some points, smile, v/o ‘lucky’ ‘just something I can do’, contrasts the end
  • ‘Moon River’ is sung by Amy in the opening credits (Breakfast at Tiffany’s) – laid back and dreamy but has issues — sound bridge, National Youth Jazz Orchestra

 

Kim Longinotto:

  • The director doesn’t interact with the subject

 

Michael Moore:

  • An attempt to sway audience opinions of Amy, had to because of media perception?

 

Critical Debate – Digital Technology:

  • edited lens flare – romantic, glamour, happy

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