Cinematography:
- photos
- found footage
- EXL of Camden – digital – couldn’t of been film (heavy)
Mise en Scene:
- CU of Amy’s dirty shoes and a homeless person’s shoes
- Photograph subtly introduces Blake then we meet him
Performance:
- introduced to more people
Editing:
- slowing down drone footage
- very slow Ken Burns effect
- slow-mo on Blake – gross, highlighting his mindset
- may have lightened her in the photo – others are desaturated
- Ken Burns and zoom – Amy doing a gesture with V/O of a guying saying he slept with her
Sound:
- strings – drunk, needed to come home in a wheel burrow confession
- sound bridge of microphone noise
- V/O life is short
- non-diegetic piano
- interview over the phone – need subtitles the audio’s so bad
- ‘drunk’
- ‘things started changing’ image of smiling with friends (Ken Burns)
- V/O of Pete – ‘best looking’, ‘coolest’
- Voice over doesn’t always match with what we see
Digital Debate:
- mobile
- drone
- gathering of footage you wouldn’t have without digital technology