Cinematography:
- ELS of the crowd at the concert – drone (digital)
- official and amateur footage used from the concert
- positioned with the crowd but align with Amy
- found footage of her body being carried out – desaturated (Michael Moore)
- LS of someone crying at the funeral
Mise en Scene:
- blurry/grainy found footage of the concert – audience position, matches the documentary’s style of actuality
- red light – demonic, slow-mo (V/O ‘it felt like the end’
- ‘she totally blow it’ – TV footage (Michael Moore)
- sub-titled dialogue of the crowd e.g. ‘sing’
- CU picture of her bare feet (paparazzi) – cropped
- professional photo – smiling – V/O about drinking
- ‘3 weeks later’
- ‘4:05 pm’
- desaturation
- friend picture
- subtitles
- magazine cover – ‘demons’
- Funeral footage – disrespectful of the documentary of commentary of paparazzi
Perfromance:
- Amy hugs the band
- Amy sits down on stage
- There is a person reassuring Amy’s dad at the funeral
Editing:
- slow-mo of Amy on stage when she is not singing
- photo of Amy taken out of focus. ‘she didn’t want to do it’ at airport
- After funeral – montage of Amy – smiling, singing, ordinary
- cross fade to Amy on street and her phone (CU) – took stud out, modest clothes, white clothes, edited picture, healthier?, picture purposefully chosen, Ken burns but very slight, less judgmental
- montage during credits while famous song plays
- slow-mo – police etc
Sound:
- dropped in airplane sound
- sound bridge of crowd cheering
- non-diegetic paparazzi camera sounds over paparazzi pictures – effect
- crowed cheer and then boo – mood shift
- V/O – ‘she just wouldn’t sing’
- diegetic band on stage – won’t sing
- V/O – excited about the wedding, didn’t care that she had messed up
- V/O – ex-manager and friend) ‘she said she hadn’t been drinking’
- ringing sound effect
- friend Juliette – ‘ It was my Amy’ ‘she just kept saying sorry’ V/O – compared to a child, almost crying, ‘missed my best friend’ – cross fades to picture of them as children
- ‘If I could give it back just to walk down that street… i would’ – someone repeating what she had said V/O – contrasts to earlier in the film (‘lucky’)
- non-diegetic piano during phone call that started the film
Moore:
- guided in terms of representation of Amy and what to feel (e.g. wants to make you cry)
Digital Debate:
- drone – exaggerates that she has been taken away from her home to the airport
- phones