House of Flying Daggers – Middle Notes

 

Cinematography:

  • close-up of the bamboo going through the bamboo and smashing on the bamboo – tension
  • long shot/extreme long shot of her being surrounded – link to other title
  • high key lighting
  • long shots to close ups of their faces when they are trapped
  • close up of them holding hands

 

Mise en Scene

  • shot on location in a bamboo forest
  • women – house of flying daggers – rescue them, standing together in a line – unstoppable (bar main three who are stood further forward)
  • flying daggers
  • bamboo cage
  • claustrophobic feel – then the HOFD show up with a lightness in the background

 

Performance

  • martial arts – Wuxia – wire work
  • mixture of special effects and wire work
  • Mei is acting blind still
  • Foreshadowing –  Jin throws the sword past Mei and hits the tree
  • Holding hands
  • The army/police fall down together x3
  • Mei’s fighting the urge to look at him – keeping up the facade

 

Editing

  • reduced cutting rate
  • slow-motion shots – flying people after being kicked, bamboo smashed against the bamboo, bamboo running together (with slow music when they are running together)

 

Sound

  • swords swooshing
  • clinging etc. – utilised to reinforce the idea that she’s blind when paired with the action-reaction shot of leaves falling, etc and the close up of her reaction
  • it’s from Mei’s perspective – heightened sound effects – she has to focus on sound (far away and close up has the same foregrounding)
  • no non-diegetic music (before Jin)
  • screaming
  • punctuation sound when Jin comes to save Mei
  • diegetic sound when Jin’s fighting
  • Whistling – throw bamboo call
  • when they’re trapped, the song she danced to plays
  • hear the dagger coming

 

Genre

  • Wuxia and wire work

 

Meanings/Messages/Response/Themes

  • politics and romance
  • deception

 

Representation

  • Jin/Mei/Leo represents the youth?
  • Mei is strong and powerful
  • House of Flying Daggers people/women contrast the women at the Peony Pavillion
  • How the film is reflective of Chinese culture, and how it is a Chinese film

 

Contexts

  • Oppressive, trapped, chased – regime?

 

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