La La Land Opening Notes

 

lalaland opening

 

Cinematography:

  • Imitating a one shot
  • Used a steady cam – fluid, dreamlike
  • Wide shot/long shot of all the cars in the traffic is representative of LA (contrasting to the optimistic lyrics of the song)
  • Uses a broad colour palette focusing on primary colours
  • The use of whip pans to disguise the cuts
  • Transition from black and white to colour – binary opposition of old and new
  • It’s like the camera is dancing
  • There’s a point of view like shot of one of the dancers
  • Motivated tracking camera

 

Mise en Scene

  • The use of primary colours
  • (Accidental) Marilyn Monroe reference with the woman’s dress blowing up
  • The traffic jam could be a representation of LA
  • From black and white to colour
  • Yellow dresses – can have negative and positive connotations
  • Red clothing – connotations of passion
  • Wide colour palette
  • The cinemascape (logo?) cannot be fully seen until the twin wipe and in the process becomes more colourful – binary opposition of old and new
  • Vintage font (1920/30s)
  • Bright sunny sky

 

Performance:

  • They all look at the camera at the end
  • They all shut their car doors at the same time – sense of perfection – representation of LA
  • Dancing revolves around and started from mundane actions
  • Only one bit of completely synchronised dancing
  • Not the best dancers/singers – the film is about ordinary people like Mia and Sebastian
  • Each person is like the protagonist but of their own life
  • Lots of different types of dancing – diversity, individuality

 

Editing:

  • The camera work hides the cuts in whip pans
  • One singles shot looks magical and perfect – representation of LA
  • Ratio change – links to classic and old films

 

Sound:

  • Foley footsteps on the rooftops
  • Everyone shuts their door at the same time
  • Lyrics – harsh reality of making it in Hollywood
  • Car horns – first things we hear, reality
  • Different people’s music – individuality
  • Shift between diegetic and non-diegetic sound

 

 

Genre

  • Musical: colourful, instruments, dancing/choreographed dance and mass choreography (ensemble performance)

 

Messages

  • The connotations of the colours

 

Themes

  • Ambition
  • Optimism
  • Individuality
  • Nostalgia
  • Independency
  • Compromise (left her date to pursue her dream)

 

Spectatorship

  • Passive – happy
  • Active – negative representation of LA contrasting the optimistic feel
  • Irony of the situation

 

Ideology

  • Old vs new

 

 

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